The album which morphed into the Buena Vista Social Club was originally intended to be a collaboration between musicians from Cuba and Mali. Problems with passports, visa or scheduling caused the Malian musicians to miss the original recording date so the producer cobbled together the group that eventually recorded the well received album.
As Will Hodgkinson in his article AfroCubism: Buena Vista take two relates, ""The conversations I had with the Malian musicians after Buena Vista came out consisted of two subjects. They were: 'Oh shit', and 'When can we try doing it again?'" says Gold, who has finally made his planned Afro-Cuban collaboration happen, 14 years after the event."
Above is a clip of the musicians finally playing together.
Such a collaboration isn't at all surprising. West African music moved across the Atlantic with the slave trade and through the Caribbean where it split north to the States and south to Brazil. Since then the Caribbean, American and Brazilian have reflected their influences back to West African. Below is a clip featuring Toumani Diabate, from the AfroCubism clip above, playing with Ali Farke Toure who's music I linked to in my previous post Father & Son. In that earlier clip the blues influences were obvious, in this clip one can hear the subtle Latin influences.