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Oh, and I hope your New Year's Eve party plans work out as well.
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Christmas celebration of a U-boat crew by Felix Schwormstadt, 1915
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Christmas at Sea - Robert Louis Stevenson
The sheets were frozen hard, and they cut the naked hand;
The decks were like a slide, where a seamen scarce could stand;
The wind was a nor'wester, blowing squally off the sea;
And cliffs and spouting breakers were the only things a-lee.
They heard the surf a-roaring before the break of day;
But 'twas only with the peep of light we saw how ill we lay.
We tumbled every hand on deck instanter, with a shout,
And we gave her the maintops'l, and stood by to go about.
All day we tacked and tacked between the South Head and the North;
All day we hauled the frozen sheets, and got no further forth;
All day as cold as charity, in bitter pain and dread,
For very life and nature we tacked from head to head.
We gave the South a wider berth, for there the tide-race roared;
But every tack we made we brought the North Head close aboard:
So's we saw the cliffs and houses, and the breakers running high,
And the coastguard in his garden, with his glass against his eye.
The frost was on the village roofs as white as ocean foam;
The good red fires were burning bright in every 'long-shore home;
The windows sparkled clear, and the chimneys volleyed out;
And I vow we sniffed the victuals as the vessel went about.
The bells upon the church were rung with a mighty jovial cheer;
For it's just that I should tell you how (of all days in the year)
This day of our adversity was blessed Christmas morn,
And the house above the coastguard's was the house where I was born.
O well I saw the pleasant room, the pleasant faces there,
My mother's silver spectacles, my father's silver hair;
And well I saw the firelight, like a flight of homely elves,
Go dancing round the china-plates that stand upon the shelves.
And well I knew the talk they had, the talk that was of me,
Of the shadow on the household and the son that went to sea;
And O the wicked fool I seemed, in every kind of way,
To be here and hauling frozen ropes on blessed Christmas Day.
They lit the high sea-light, and the dark began to fall.
"All hands to loose topgallant sails," I heard the captain call.
"By the Lord, she'll never stand it," our first mate Jackson, cried.
..."It's the one way or the other, Mr. Jackson," he replied.
She staggered to her bearings, but the sails were new and good,
And the ship smelt up to windward just as though she understood.
As the winter's day was ending, in the entry of the night,
We cleared the weary headland, and passed below the light.
And they heaved a mighty breath, every soul on board but me,
As they saw her nose again pointing handsome out to sea;
But all that I could think of, in the darkness and the cold,
Was just that I was leaving home and my folks were growing old.
Library confusion, by Sam Hood, 1952
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Medieval book curses:
If anyone take away this book, let him die the death; let him be fried in a pan; let the falling sickness and fever size him; let him be broken on the wheel, and hanged. Amen.
For him that stealeth, or borroweth and returneth not, this book from its owner, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain crying out for mercy, and let there be no surcease to his agony till he sing in dissolution. Let book- worm gnaw his entail [and] let the flames of Hell consume him forever.
Who folds a leafe downe
ye divel toaste browne,
Who makes marke or blotte
ye divel roaste hot,
Who stealeth thisse boke
ye divel shall cooke.
He who entrusts [this book] to [others’] hands, may all the gods who are found in Babylon curse him.
Turbo jet engine
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Inline 4 cylinder engine |
Steam powered car |
Electrolysis of water hydro generator |
16 cylinder Stirling engine
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2 cylinder-Stirling engine electricity generator |
Galileo pendulum clock |
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On the morning of December 7, 1941, I had relieved the watch in the port engine room [of the USS Utah]. I had been on watch about 20 minutes when the first torpedo hit the ship on the port side. It was about 5 or 8 minutes before I could hear someone hollering that the Japanese were attacking us.
I ran up the ladder to the third deck. On the port side was our sleeping quarters, and water was already washing over my bunk. I went to the starboard side of the ship, went up to the second deck to our locker room and mess hall. There were several other men there. One asked if he should take his dress blue uniform with him. I told him he wouldn't be needing that for a good while.
I grabbed an extra pair of dungarees, a carton of cigarettes, and went on top side. A friend and I sat down on the side of the ship and slid into the water. We swam to Ford Island where we were picked up by a party. They took us to the USS California to unload ammunition. That evening we were taken to an ammunition ship that was tied up at the docks in the shipyard. We spend the night there. - Cecil Camp (source)
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Images from Indigo Arts Gallery
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As Vodou flags made their way out of temples and into Port-au-Prince galleries and the hands of foreign buyers, curiosity about their purpose and function grew along with the numbers of people making flags. Some artists like Georges Valris imbue their flags with Christian imagery such as angels. Valris , who denies any belief in voodoo, regards flag-making as a commercial enterprise. Other flag makers, including Jean Baptiste Jean Joseph, are diehard voodooists. He once told me a story about seeing the mermaid figure of La Sirene, who controls the fate of anyone dealing with the ocean, actually walking out of the sea. But Joseph is also practical, using the flag medium in documentary fashion to portray what he sees around him including cats and lizards. This broad range of pictorial representation makes him a welcome anomaly among the current crop of voodoo flag makers, a group whose numbers seem to be swelling in recent years. With his innate color sense and use of luxurious materials such as velvet and satin, Joseph is setting a high standard for the next generation of flag makers to follow.These examples, and those after the jump, are from Indigo Arts Gallery's catalog of Haitian Vodou Flags. They sell the flags (as well as artwork from other regions) if you're interested in purchasing one.
Each flag maker is known for something special. For Yves Telemaque, it’s the fantastic and optically challenging borders of his flags. By surrounding the central image in triangles and circles, then using faux pearls to accentuate contrasting colors, Telemaque rivals the paintings of Jasper Johns. Then there are traditionalists like Clotaire Bazile, who adheres to voodoo heritage in his portrayal of gods and goddesses and their symbolism. His simple diamond borders recall the careful workmanship on American patchwork quilts. Even newcomers to the field are distinguishing themselves. Lerisson Dubreus uses the trapunto technique of his forebears who made flags half a century and more ago.
Indeed, just like extremely large scales escape us, our perception is far too crude to make real sense of something so small. In the end we only see a slice of reality.Above are three main types of time pieces: ... a cheap crystal watch, ... a mechanical watch's mechanism, ... a digital alarm clock.
Of the three the mechanical watch visually seems to be the most complex, but there is little doubt that the digital clock is actually more complex by orders of magnitude. While the switches, LEDs, capacitors and resistors are simple enough, hidden within the IC chip, and discernible only by microscope, are circuits of immense complexity.
The Yale-Harvard team prepared three recipes which were all from one tablet [cuneiform tablets in the Yale Babylonian Collection]: two lamb stews — one with beets and one with milk and cakes of grain — and a vegetarian recipe enriched with beer bread.
The variety of ingredients, complex preparation, and cooking staff required to create these meals suggest that they were intended for the royal palace or temple — the haute cuisine of Mesopotamia, says Lassen. Few cooks were able to read cuneiform script, she adds, hence the recipes were most likely recorded to document the current practices of culinary art.
...
“Making a stew is a very basic human thing and I think that is one of the reasons that we really went into this project,” says Lassen. “There is something really human about eating and food and tasting things, and that’s what we wanted to explore by recreating these recipes. Maybe not entirely as they as they would have prepared it — maybe our ingredients taste a little bit different — but still approximating something that nobody has tasted for almost 4,000 years.”
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Moving forward to relieve the front line troops in the trenches |
We moved to the right, I remember, got into a church yard – a cemetery – and then dropped down into a trench. And I couldn’t believe it; I was knee deep in mud for a start. I’d never been told about the Somme and the mud on the Somme, it was all new to me. Well we sloshed down this communication trench and we passed a support line and then we went further up and got to what was the front line. And then that was the first we knew about trench warfare – we were told we hadn’t to show our heads above the parapet because there were snipers and they would get us if we did, you see, so we had to be careful. It was a bit of a shock because I could hear shells exploding and rifles and machine guns going, and I thought, ‘Well, I shan’t be here above five minutes.’ It depressed you a bit; just I’d not been warned about it, you see, I’d no idea what it was like. (source)
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Wreck of the SS Punta |
There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter? - Wole Soyinka
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A Eunuch’s Dream (1874), Jean Lecomte du Nouÿ |
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