Are Pringles potato chips? From 2007 to 2009, that question plagued judges at three different levels of the British judiciary, leading to a series of head-scratchingly comical legal proceedings. The stakes, however, were nothing but serious: The ruling put hundreds of millions of dollars on the line.The case ended up getting quite convoluted, with one court saying Pringles were more akin to cake or bread and later another deciding the did nit contain the required amount of "potatoness". With so much potential tax monies involved you can imagine how long that sort of reasoning stood:
The question revolved around Britain’s value-added tax, or VAT. According to the 1994 VAT Act, any product that is “wholly, or substantially wholly, made from the potato” was subject to a 17.5 percent tax. In 2007, Britain’s VAT and Duties Tribunal determined that Pringles fell under the tax’s umbrella—and demanded the chipman payeth.
Procter & Gamble, who owned Pringles at the time, vehemently disagreed. They argued that Pringles were only 42 percent potato flour, with the rest mostly a slurry of wheat starch, corn and rice flour, and vegetable oil. The snack food, they said, could not be classified as a potato chip because, unlike a real potato chip, its overall contents and shape were “not found in nature.”
After working itself in and out of semantic pretzels, the Court said the easiest solution to Chipgate was to appeal to a hypothetical child: If you asked an 8-year-old to explain what a Pringle was, what would he or she say?
The question of a Pringle’s identity, the Court argued, “would probably be answered in a more relevant and sensible way by a child consumer than by a food scientist or a culinary pedant.”
In other words, a chip is a chip is a chip—Pringles among them. With that, Procter & Gamble had to pay $160 million in taxes.Seems odd that a hypothetical 8-year-old would settle the matter, but -- after all --- death and taxes.
In a word, this Ouija has managed to wreck the peace of an idyllic Indiana village, a quaint and rural community numbering not more than a hundred families. It was brought into the village in all innocence by the Doty family, and the neighbours used to assemble after church of an evening and amuse themselves by asking it questions. It uttered some remarkable prophecies, and gave the rustics some sage advice about their private affairs, in which they had faith, notwithstanding that it set them all one day digging up the village green in search of a buried treasure. The girls of course made great use of it, and at last one night it said some very wicked things about Miss Eva Hollowell [sic], a village belle and a rival of the Doty girls in church-work and other accomplishments. This came to the ears of Miss Hollowell's father, a choleric man, and there was a row. The Dotys said they believed the Ouija, and Mr. Hollowell summoned them all to court, including the Ouija. The latter being produced as a witness, we are told, gave some samples of its work; but the verdict went for the plaintiff, and the Doty girls were fined five dollars apiece and costs. Mr. Hollowell, however, is too angry to be satisfied with this slight vengeance, and he is bringing the case to a higher court, where the Ouija will again appear in the witness-box. “The country hereabouts,” says the report, “is intensely agitated over the matter.”
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I forced myself up to the roof again that night to look, and unless you live here and know how it is, you cannot imagine how strange it is not to see them there, those giant towers. I’ve seen them there as long as I’ve lived here as an adult in the city where I was born; I watched them in all weathers, as people in hill country watch their hills. I saw them go up, and now I’ve seen them come down. And all that was there that night was evil glowing smoke.
But except for that first night, I had not yet been able to look at where they stood. In my East Village neighborhood the towers were omnipresent; you’d look downtown on First or Second or Third Avenues and there they were, looming over the low-rise buildings between, mountains standing tall behind a range of foothills, somehow making the other building around them look not smaller but taller themselves.
And yet I knew that I had to look, that I dishonored the people who died there and even, in some strange way, the towers themselves, by not being able to look.
So yesterday, Sunday September sixteenth, I went out for an immense walk. I went up to a park near my home, passing a hospital whose walls are covered with photos of the lost, and praying as I passed, then took a bus to the Hudson River side of town. I got off at Abingdon Square, walked the couple of blocks to the river edge, and just started walking south, as far as I could get.
And I MADE myself look, every step of the way. At where the towers were, at where they now were not. At the flame and smoke still pouring out of their graves, and the graves of those who died there, as out of the throat of a volcano.
They’re not there. They’re not there. They will never be there again. After a while your eyes start playing tricks and you think you see their ghosts rising up through the smoke. But they’re not there.
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| Leon Czolgosz in custody |
Despite the sweltering late-summer heat, a long line of people waited outside the Temple of Music when the reception began at 4 p.m. As the theater’s organist played a Bach sonata, the visitors slowly filed inside, many of them eager for a chance to meet the president and shake his hand. Near the front of the line stood 28-year-old Leon Czolgosz, a shy and brooding former steel worker. An avowed anarchist, Czolgosz had arrived in Buffalo only a few days earlier and purchased a .32 caliber Iver Johnson revolver—the same type of weapon that another anarchist had used to assassinate the Italian King Umberto I the previous summer. He now waited with the gun wrapped in a white handkerchief and concealed inside his jacket pocket. “It was in my heart; there was no escape for me,” Czolgosz later said. “All those people seemed bowing to the great ruler. I made up my mind to kill that ruler.”The above picture is of Czolgosz in Buffalo's jail. He did not repent his crime, saying in his confession, “I don’t believe in the Republican form of government, and I don’t believe we should have any rulers. It is right to kill them.”
McKinley’s anxious staff had added police and soldiers to his usual complement of Secret Service agents, but the security detail took little notice of Czolgosz as he strode up to the president at around 4:07 p.m. When McKinley smiled and extended his hand, Czolgosz raised his pistol—still wrapped in its white handkerchief—and fired two shots at point blank range.
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Arimura sculpts the food samples into the bodies of warriors. He then meticulously carves up the Styrofoam packaging of popular instant noodles – in this case, Nissin’s Cup Noodle and Donbei – to create the armor, which he adheres to the noodles. The final touch is either a fork or chopsticks as weapon and the warriors look like they’re ready for battle.
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The retro shop has all the familiar selections of American comforts, including a videotape rental section with ’80s classics like Footloose, Dirty Dancing, and Short Circuit. She also has fresh hand-sewn seafood on ice, sushi, fruits and vegetables, a variety of meat cuts and other animal products, popular snacks, canned goods, cereals, candies, sodas, liquor and cleaning products. Each item is meticulously cloned from felt, a material that evokes childhood and play. The fact that the store offers 27 different types of sushi (each produced in 300 pieces), plus chopsticks, wasabi, pickled ginger, and even soy sauce packed inside iconic plastic fish containers, says a great deal about the amount of detail and determination that went into creating this overwhelming installation. Working alone until very recently, the artist ended up hiring four full-time assistants in her studio and outsourcing fifteen professionals to complete this immersive project.
If we desire to avoid insult, we must be able to repel it; if we desire to secure peace, one of the most powerful instruments of our rising prosperity, it must be known, that we are at all times ready for War. ― George Washington
